geht nicht, der source wird nicht angenommen

http://www.bittekunst.de/visual-accustics-malen-mit-instrumenten-3/

Die Visualisierung von Tönen hat eine lange Geschichte in der multimedialen Kunst und visual accustics ist ein Projekt, was man sich unbedingt näher anschauen sollte: Das flash-basierte Interface wandelt Mausbewegungen gleich dreifach um: In die Töne ausgewählter klassischer Instrumente (gottlob bricht jemand mal das Tabu, in Multimediakunstwerken analoge Instrumente einzusetzen), in Farbspektren, die sich über den Bildschirm ziehen und in Instrumentabhängige animierte Visuals, die sich wie Wellen über die Spielfläche ausbreiten. Ein intuitiv fassbares Gefühl des Haptischen, dass sich im Auditiven und Visuellen übersetzt zeigt. Gelungen! (Zur Erinnerung: Es gibt auch Pferde und Damen, die sich seit Jahren daran versuchen.)

Artist: Steven Woods

http://www.swoo.co.uk/

Tag Galaxy

Tag Galaxy is a very nice application that uses Papervision3D to explore Flickr photos via virtual planetary systems.

You enter a tag, and the related galaxy appears on screen. Each planet contains the pictures of a certain tag, and when you click on them, the images are placed on a 3D rotating globe.

Created by Steven Wood as a diploma thesis project with PV3D 1.5.

Steven is a freelance graphic designer and Flash developer from Germany.

Fantastic work, Steven.

quellen:

http://blog.papervision3d.org/2008/05/14/tag-galaxy/

http://solaas.com.ar/netart/?q=projects

http://www.google.de/search?q=taggalaxy&ie=utf-8&oe=utf-8&aq=t&rls=org.mozilla:de:official&client=firefox-a

Mashup/API: My website stattics + GPS KML Conversion + Google Earth
Where are you? Where are each of? Which is your city? What is your name? What is your existence?

Who are you? I know things on you. I know that you look at my site. You remain a certain time there. I know that you are on your premise. I can almost see you. To pass from the one of you to another. See the country. Your country. To pass from a continent to the other. And to see you. See almost. YSe as far as you see me on my site. We do not know each other. I know that you are there. You know it too.

(And Now in French)

“On ne peut pas travailler pour les autres. On travaille pour des frères mystérieux qu’on possède à travers le monde. Il y a une île qui est brisée, dispersée à travers le monde. Et, en somme, l’art est une espèce de signal, comme un mot d’ordre pour retrouver des compatriotes”
(Jean Cocteau – Journal sonore du testament d’Orphée)

Où êtes-vous? Où est chacun d’entre vous? Quelle est votre ville? Quel est votre nom? Quelle existence menez-vous?

Qui êtes-vous? je sais certaines choses de vous. Je sais que vous regardez mon site. Vous y restez un certain temps. Je sais que vous êtes chez vous. Je peux presque vous voir. Passer de l’un de vous à un autre. Voir le pays. Votre pays. Passer d’un continent à l’autre. Et vous voir. Vous voir presque. Vous voir autant que vous me voyez sur mon site. Nous ne nous connaissons pas. Je sais que vous êtes là . Vous le savez aussi.

Durée: 55′04

Biography

Born in Paris (France).
Founding member of http://www.incident.net in 1994. Between 1995-98 he designs with the assistance of deportees the CD-Rom “Memories of the deportation”. In 1997 he conceives the site of the Medicis Villa then in 1999 the site of the Pompidou Center for his reopening.

He is an artist in residence in the International Center of Video Creation (1998-2001), C ³ of Budapest (2001), the Abbey of Fontevraud (2002), in Fresnoy (2003-04) where he teaches the same year (http://www.le-fresnoy.tm.fr). In 2006-07 he is teacher at UQAM (Montreal).

Prize winner of the Villa Medicis les Inclassable in Montreal (2002-03), various prices: SACD (2000), FilmWinter (2001), Sound Space (2001), Computer Space (2001), Viper (2001), Videoformes (2003), SCAM (2004)

http://rhizome.org/member.php?10038

Anmerkungen

Sehr Fleissig:http://rhizome.org/member.php?10038
Was mir gefällt ist das Changieren zwischen privat und global. Es visualisert auf eine einnehmende Weise ein globales und aktuelles Lebensgefühl.
Einer meiner Favoriten.

Weitere Links

Video
http://incident.net/users/gregory/wordpress/28-insulaires-islanders-flusgeist-3/

http://incident.net/works/islanders/

Vita (French)
http://incident.net/users/gregory/wordpress/curiculum-vitae/

Presse (French)
http://incident.net/users/gregory/wordpress/categories/medias/

Künstlergruppe
http://incident.net/

http://gregory.incident.net/

description

Mitozoos is an interactive artificial life model created with the objective that through experimentation and play participants will understand the relationship between genetic code and life. The work presents an interface that allows participants to create virtual organisms, called ‘mitozoos’, essentially encoding their DNA, and then witness the evolution of those organisms in a simulated, biological universe. These mitozoos live, reproduce and die, in a system which allows their genetic code to carry on and even mutate, generation after generation. In Mitozoos, genetic information is displayed as a series of color codes, designed taking into account the actual chemical basis of DNA.

Play!

http://moebio.com/santiago/curriculum.html

The following are online and offline projects which have been circulating in various online communities. They are gathered here in no particular order.

“Spamology” by Irad Lee
(Image Above)
http://iradlee.net/spamology/
an audiovisual representation of word frequencies in spam email messages.

Spam, the digital garbage of our era, has become a mirror reflecting both our natural human necessities and the artificial necessities that the advertisement industry constantly attempts to stimulate in us. The individual who’s experiencing Spam, also acts as the main influencing factor over its content and behavior. Spam differs from any other kind of man-made trash; while garbage may reflect the individual’s lifestyle and needs, Spam works the other way around: it reflects the way in which the individual is seen in the digital world through an everlasting process of classification; The manner in which one “behaves” in the digital world may predict the kind of Spam that will arrive in his Email, and vice-versa, one’s Spam may imply his specific preferences, interests and perhaps factors in his personality.

Spamology is a part of ongoing research which aims at visualizing the links and interrelationships between the nature of Spam as a digital-cultural phenomenon, the user/individual and the society, by revealing patterns in Spam which may reflect cultural and social trends, behaviors and variations.

Spamology is an audiovisual representation of word frequencies in spam e-mail messages.
the visualization is based on analysis of a private archive of spam messages which were collected during 10 years (1998-2007),
containing up to 2,000,000 emails originated from various parts of the world.

Spamology is a part of ongoing research examining the nature of Spam as a digital-cultural phenomenon. The project aims at visualizing
the links and interrelationships between the contents of spam, the user/individual and the society, by revealing patterns in spam
which may reflect cultural and social trends, behaviors and variations.

** Due to software limitations, online version is currently missing audio **

enter Spamology [silent version]

- Santiago Ortiz

http://www.moebio.com/santiago/curriculum.html

http://www.medialabmadrid.org/medialab/

- Irad Lee

http://iradlee.net/contact/contact.html

http://idiotrobot.com/

VIDEOS – MR TAMALE
	n.t.n.m.n.d.n.c.n.d Date: 2008 Acronym: no title no medium no date no copyright no dimensions Status: Quicktime, Javascript & html Setup: Two-channel video loop Samples: A Clockwork Orange, The Wicker Man, Inland Empire, Westworld, And God Created Woman, Barbarella, Death Race 2000, The Blood Of Fumanchu, The Eye, Eastern Promises, American Gangster, 28 Weeks Later, Fear And Loathing In Las Vegas, Pink Floyd Live In Pompeii, Shrooms, Rescue Dawn, The Night Porter, Jumper, Eyes Without A Face, Lady From Shanghai, Enter The Dragon, Aguirre The Wrath Of God, Blade Runner, Irma Vep, Dairy Of The Dead.

quelle:

http://www.cartodigital.org/interactiva/interactiva07/artistas.html

connection of the ARTWORK to Emerging Markets:

- It is “constantly evolving at its own rhythm”

- It is like a serials of short Haikus (Eastern traditional kind of poems)

- it has its own new kind of rhythm and music

- it is positive and optimistic

Qubo Gas (Laura Henno, Jean-François Ablézot, Morgan Dimnet) is a French collective of artists active since 2000. Their practice, involving works on paper, collages, video installations, digital animations and frescos, primarily focuses on drawing, its techniques and its history.

Watercouleur Park is an interactive graphic composition made of layers of drawings. The order in which the drawn landscapes appear is random. The vegetation contained in each of the landscapes is also a random element. There are 14 landscapes in total, drawn dynamically from an updatable database of drawings.

The project allows users to explore a virtual archive of collage work; with the ability to modify, rotate and change point of view.

The new work references previous works in collage and fresco. One step further from the tactility of the frescos, Watercouleur Park induces a virtual, sensorial experience of spatial immersion.

This contemplative work is launched in conjunction with Uki-yo, 2004, another digital landscape shown as a video installation in London from 3 March – 12 May 2007, at the occasion of the exhibition Momentary Momentum at Parasol Unit, London.

• Read KAKEMONO, essay by Bénédicte Ramade, 2006
• Qubo Gas biography
• Qubo Gas website

Qubo Gas, Live at Netmage, 2003
Photo by Laura Henno
© Qubo Gas – laura henno 2003

Qubo Gas, 2006
Photo by Laura Henno
© Qubo Gas – laura henno 2006

Launch Artwork

Description

The crane in Japan is one of the mystical or holy beasts and is said to live for a thousand years. An ancient Japanese legend promises that anyone who folds a thousand origami cranes, known as a Senbazuru, will be granted a wish by a crane.

This website will fold a thousand cranes for you. Simply type your wish in the field provided and hit enter.

connection of the ARTWORK to Emerging Markets:

- It is “a website that is working for the user“

- It is related to old Eastern Myths

- It implies hope, wish and optimism – ideals that cary emerging markets

- it is positive and optimistic

Biography

Ann-Marie James studied at Central Saint Martins College of Art and Design, and currently lives and works in London, England. She works across a range of media including painting, drawing, video and webart, exploring the relationships between Art and Craft, and the tension between the contrived and the gestural.